As with the spellbinding Musica Endoscopica, this issue of Immagini Per Diana Baylon – one of her three known soundtracks for art installations – helps to place Teresa as Italy’s answer to Daphne Oram; that is, a pioneering female experimenter operating in a male dominated field since the ’50s, and an artist/musician/technician who was magnetically drawn to the emerging possibilities of analogue electronics (although she would also expand into computer composition as soon as the opportunity arose).
Here is what bookmat.com says about this new issue I curated in collaboration with Die Schachtel [boomkat.com/products/immagini-per-diana-baylon]. Remastered from the original tapes, foil-blocked metallic print jacket with fold-out insert of liner notes and photographs.
You may listen to some excerpts on Soundcloud.
